Interference Journal Issue 3

Graham Gussin; I Love It, In Space there Are No Limits, I Love It; 2001 (Photo courtesy of the artist).

The project for A Sonic Geography began with a recognition of  the vibrancy and increasing significance of various bodies of work on auditory space. Practices such as aural architecture, soundscaping, spatial music and sonic sculpture now find a non-specialist public and an institutional legitimacy that fosters future development. Moreover, theoretical research tracing sonic phenomena as cartography, site-specific signifier, or spatial strategy has acquired a new maturity in recent years. Interference wishes to progress this interaction between theoretical reflection from different domains of research and sustained practical experimentation as it generates new possibilities for auditory spatial awareness.

Issue Contents

Christof Migone; Microhole; 2006 (Photo courtesy of the artist).

The title of the inaugural issue of Interference – “An Ear Alone is Not a Being” : Embodied Mediation in Audio Culture – acknowledges acoustic practices that involve not just the ear but a corporeal body that senses, resonates, transduces and responds to sound, and furthermore, seeks to emphasize the legacy of this embodied listening subject in the practices, media, and conceptual frameworks that make up audio cultures. ‘Embodied mediation’ presumes a reciprocal process: the texts in this issue explore not only how listening experiences and acoustic practices are shaped by corporeality, but also attend to the many ways in which those processes work upon that body, through psychophysical affect and the representation and encoding of listening subjects in acoustic performances, technologies and cultural artefacts.

Issue Contents